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Thursday 28 June 2012

Could You Use Some Free Graphics?

I received this email today and thought I'd place it here for those who might be interested in trying the free
trial offered. I haven't tried it myself, though I have had a gander at their website, which looks very interesting. At present, I have no need for such a service. But, if you're interested or curious, here's the email, along with the link:

 I wanted to reach out to you because of the influence you have via your writings, with an offer I think you might be interested in using or sharing on your blog.  The graphic design firm RipeConcepts is offering two hours of free graphic design work as a way to meet new potential clients.

Two hours is enough for them to design a new logo for a blog, put together a banner, template for a newsletter, create a customized business card, etc. There is no obligation to use them again, and they won't exceed the 2 hour time limit so you won't get hit with having to pay at the end.

Here is the link to reserve your spot - www.graphicdesignoffer.com - you can send your readers to this page as well and they can reserve theirs. There are a limited number of supplies each month, so you may want to sign up quickly if you are interested.

Thanks so much, I hope you and your readers will find this useful!
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20 Things I’ve Sort of Learned So Far.

  1. Paradoxically, it seems likely that fear of success is what most holds me back. The questions is, ‘Why?’
  2. I can write fluently, without preparation or planning, more or less at will. And I know how much that will piss off some of you, sorry!
  3. I can find ten reasons not to write, even though I enjoy writing and know that’s what I should be doing at the time. Perverse nature, idiocy, or something deeper, like laziness?
  4. Writer’s block is a problem for others. I have my own hurdles to jump. Generally, I build them as I go through life.
  5. Creating is the most enjoyable part of the process of writing. So why do I spend so much time and effort avoiding it?
  6. Editing is also enjoyable. I wonder why I put it off.
  7. Pinterest is a fascinating waste of time. Popular, relatively pointless and addictive.
  8. I can spend an hour or two lost in the inconsequential chatter of Twitter and Facebook. It’s called networking, but it’s really nothing much more than placing my opinions out there to cause discussion and debate.
  9. Learning to touch type would make me more efficient. But I need to be free from the day job to do that with any real chance of success. Roll on retirement from the wage slave employment.
  10. Reading my work out loud allows its imperfections to scream at me. So, I actually try to do this with everything, though I don’t always succeed, of course.
  11. Reading and editing from the printed page reveals all those typos and repetitions I miss when scanning the screen. So, I try to make sure I print off everything before it goes out, except, of course, these blog posts!
  12. As I approach the point where I should submit a piece, I discover innumerable reasons to put it off. Is it doubt, lack of confidence or that old problem from the top of this list, d’you reckon?
  13. It’s better to clip those gems of genius and place them in a file for future use than to discard them with the delete key. I’m all for re-cycling.
  14. There are a hundred distractions for every determined effort to impose discipline on my work process and I can indulge in each of them in spite of the guilt they all bring. Guilt; the precious gift of the Abrahamic religions. Why couldn’t the God Squad deliver something more useful, I wonder.
  15. If I don’t write down that brilliant idea at once, I will, always, always, always, forget it before I reach my study. Always.
  16. Of the brilliant notes I record in any of my 3 notebooks, almost all will result in a useful idea to develop, which makes it surprising that I often resist the recording. Stubborn? Me?
  17. If I fail to produce a visual reminder of my intended actions, I’ll forget what I intended just that morning and find myself doing something else instead. Usually something fairly unproductive, at that.
  18. Sometimes it’s fine to indulge in trivia, daydreams and idleness. Which, given my propensity to do just that, is a pretty good thing.
  19. Music helps isolate me from the intrusive sounds of everyday life. I play all my favourite tracks, both classical and pop, and never actually hear them if I’m lost in the creative process.
  20. Without reviews, an indie author might as well accept that he’ll sell very few books, regardless of the quality. But obtaining reviews is almost as hard as getting the work out there in the first place.
This, by the way, was a useful exercise, in that it concentrated my mind on certain aspects of my behaviour, which I can now attempt to alter. Might be worth your while engaging in a similar list if you see yourself in any of these lessons.
Comments readily received in the appropriate space below. Thank you.

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Monday 25 June 2012

As You Like It, By William Shakespeare, Reviewed.


The cheek of it! Reviewing anything by the Bard? Are you mad? Well, I can have an opinion, and here it is.

Almost everything that can be said about this play has already been said. I have never seen it performed but the text is as a good a read as any of the Bard’s work. It is, of course, a comedy, though it illustrates quite well how different the concept of comedy has become as the ages pass. In Shakespeare’s day, of course, it merely meant a piece of drama with a happy ending. And, for most of the characters in this work, the ending is happy. The reader, or playgoer, is required to suspend disbelief in a fairly extreme way for a couple of incidents. The conversions of Oliver and Frederick take some believing, considering the depths of their hatreds, but it’s all taken in good spirit. And, though the poet has messages to purvey, he has made this an entertainment before it is anything else.

There is great play made of the gender bending and, of course, since men played all the parts, the double entendres are many. A large number of songs appear in this play, more than I’ve come across previously and they sometimes appear to be no more than padding. What? Accusing the Bard of padding? Well, that’s the way they seemed to me. As did one or two of the smaller scenes, which appeared to have no bearing on the plot at all.

But I’m not complaining, merely pointing out those features that struck me whilst reading. I enjoyed the language (who can fail to do so?) of course. The characters were diverse and entertaining, even if a little thinly drawn on occasion.

Would I now go to see a performance? You bet.

And will I read more Shakespeare? Try to stop me. 

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Thursday 21 June 2012

THE WRITERS’ TOOLKIT


THE WRITERS’ TOOLKIT: a handbook for authors of commercial fiction.  Penny Grubb & Danuta Reah. Published by Fantastic Books Publishing. Pb: £6.99.
Where’s the best place for a novel to start? How do you tell? What pulls a reader into one book over another? What do you do if you can’t get any tension into a scene that should be high-drama? How do you lift a scene that seems to drag? Are you fed up with staring at a blank page?
The toolkits take you step by step, element by element and give you the components you need for every stage of your novel.
I know Penny Grubb's writing well. I'd advise any writer serious about commercial fiction to read this book.

Arthur: Roman Britain’s Last Champion, by Beram Saklatvala, Reviewed


Arthur, the last ‘king’ of the Britons, has been analysed, scrutinised, mocked and praised through the ages. For a man without any positive identity or even, perhaps, existence, this is quite an achievement.

Those who recognise the ancient British hero as either the mythical demi-god or the possibly real last leader to stand against the invading English, will be familiar with the works of the past. Mallory, Geoffrey of Monmouth and William of Malmsbury will all be names that strike chords of recognition, with Mallory’s Morte D’Arthur probably the most well-known source of speculation and romance regarding this character from our ancient past.

In his studious and careful re-examination of known facts, scholarly conjecture and outright fable, Saklatvala has brought together these know sources and added many less familiar works to the canon for an in-depth examination of the possible reality. My only criticism of his narrative stems from his clear bias toward the positive role of Christianity in Arthur’s background; I suspect that this leaning toward that religion has distorted some of his judgement. However, I applaud the scholarship displayed along the way.

The book, necessarily, contains a huge number of ‘if’s; such is the nature of conjecture. And, if nothing else, we who are not such scholars learn a good deal about how the mind of the archaeologist functions. In the absence of concrete evidence, speculation, informed by knowledge of times, customs, actual historical events and other reliable sources, steps in to form a picture of possibilities. Whether the reader believes the resultant conclusions is dependent on that reader’s prior knowledge of the subject, his own prejudices, and the ability of the narrator to convince him of his theories.

I came to this topic with the average English schoolboy’s knowledge of Arthur, informed by scant history from school lessons, the imaginative Disney The Sword in the Stone movie, Mary Stewart’s quintet of Arthurian legends, the musical Camelot and, of course, the inimical Monty Python and the Holy Grail. So, I imagine I was fairly typical of the majority of people in this respect.

Monty Python and the Holy Grail
Monty Python and the Holy Grail (Photo credit: Wikipedia)
What I found in these pages surprised and informed me. I came across many names I had forgotten I knew; Vortigern, Ambrosius, Hengist, Horsa, Bede and others. But I was introduced to entirely new characters both historical and legendary; Germanus, Maximus, Gratian, Valentinian, Nennius, Claudian and Gildas amongst many.

Saklatvala has studied innumerable texts and put together those facts that appear to support each other from disparate sources to form the kernel of a possible truth about Arthur. The label, ‘King’, is clearly a latter day title for a man who was probably known in his lifetime as the ‘Duke of Britain’, a military leader devoted to the task of keeping alive the traditions and values of Rome at a time when that empire was swapping military power, which had declined to the point of non-existence, for religious power in the role of Father of Christianity in the person of the Pope.

The reason for much that is valued in current society has been made clearer to me by reading this book and I suggest that anyone with an interest in English history would be well served by reading it. It was first published in 1967 and new evidence has come to light since then, some no doubt inspired by the book itself. Nevertheless, the nub of the narrative remains, I suspect, as credible now as it was when the book was written. Scholars with specialist knowledge will no doubt already be aware of the theories and conclusions made by this author. But those who have only a passing familiarity with the legend that is King Arthur will undoubtedly discover much food for thought within these careful and comprehensive pages. Give it a try; you might be surprised by what it tells you.

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Saturday 16 June 2012

New Ebook Cover Requirements for High Quality Ereaders

Heads up.  Effective on or about July 15, Smashwords will begin requiring higher pixel counts on ebook cover images.

Why the change?  Starting in August, Apple will require that all new ebook cover images be at least 1,400 pixels wide.  Their previous minimum was 600 pixels. 

Since Smashwords requires vertical rectangle (height greater than width) images, a new recommended ebook cover might be around 1,600 pixels wide by 2,400 pixels tall.  Why 2,400?  2,400 is 1.5 times 1,600. Pull out a ruler and measure just about any print book and you'll get a ratio close to that.  Most good-looking covers have heights that range from approximately 1.3 to 1.6 times your width.  Amazon recommendsa 1.6 width/height ratio, and their recommended height is 2,500 pixels. As you can see, there's flexibility here for personal preference whether you prefer wide or long.  The image above left shows what a 1.5 ratio looks like.  The height is 50% greater than the width.

Why is Apple requiring higher pixel counts?  Most likely, it's because they want to provide ebook customers better covers for their current and future higher resolution iPads, iPhones and MacBooks.  Since we think the Apple and Amazon guidelines are reasonable (they help readers with next-generation screens enjoy your covers in all their glory), we'll adopt Apple's requirements as our new minimum standards for cover images.

What happens next?
Apple's new requirement applies to new ebooks, and new cover updates.  If your book is already in the Apple iBookstore with a smaller cover image, you're grandfathered in, UNLESS you try to update your cover image in the future, in which case they'll reject it.  To help you get ahead of this change, Smashwords will make the 1,400 pixel minimum a Premium Catalog requirement starting on or around July 15.  Like Apple, we'll apply the standard to new titles and cover image updates.   If we previously shipped your smaller cover to retailers, we won't require the new cover image size unless you update your cover image or republish a previously unpublished book. The minimum dimensions do not apply to the images or cover image inside your .epub file.  

The Smashwords FAQ is now updated to reflect the new recommendations and requirements.  I'll update the Smashwords Style Guide in the next day or two so one month from now this won't come as a surprise to people.


How NOT to create a new cover image
Don't use a photo or image editing program to enlarge your current image.  That will cause pixelation (blur).  

How to create your cover image
You'll find some tips in the Smashwords FAQ, though my best recommendation is to hire a professional.  Unless you're a professional graphic artist, it's best to hire a cover image designer. Send an email to list@smashwords.com to obtain my list of low cost cover designers and ebook formatters (they're all freelancers, we don't receive a commission or referral fee). Their rates range from about $40 to $100, a range I consider very reasonable.  Most have online portfolios so you can see if their style matches what  you're looking for.  If they don't match what you want, post a note at the Smashwords Facebook page to ask your fellow authors for references.  There are many great cover designers out there, and most are very affordable.  See my free ebook, The Secrets to Ebook Publishing Success, for comments on why a professional ebook cover image is so critical to a book's success.

Please share this post with your fellow authors and publishers so everyone has ample advance notice. 


As above, I've posted this for my readers, so you can be aware of this coming change.
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Thursday 14 June 2012

The Writing Den; What's Yours?


Whether luck or prudence provided me with a room of my own is for others to determine. My suspicion is that, in common with most things in life, it's a mixture of these things. Be that as it may, I have the good fortune to have a room in which I can lock myself away from other concerns when I write.

It's not ideal. Small, with a window, behind me, that overlooks the end of the drive with the fence between us and the neighbours beyond and the garage door to the right. As I sit, at a desk built from a flat-pack kit bought some twenty or so years ago, I face the door into the hallway of our bungalow. At present, because I'm writing this before my wife and daughter have emerged from sleep, I have that door closed. Hanging from a hook on the back is a hand drawn map of the land I'm using to set my epic fantasy. Beside that, a cork board bears a few documents as aids in my everyday writing as well as a collage I made as part of the creative aspect of Julia Cameron's The Artist's Way course I'm currently undertaking. It depicts those things I most want in life and is intended as both motivator and reminder of why I do this thing; writing. Next to that is a portrait of my wife and a couple of self-designed posters to act as reminders about certain of my less positive aspects - positive statements to keep me on track.

A large, four drawer cabinet sits below these, housing an assortment of things that have nothing to do with my writing; it lives here as the only suitable location for such a metal monstrosity. Utilitarian but exceedingly useful.

Directly in front of the desk a small chest of drawers stores various bits and pieces and acts as base for my printers. Printers? Yes. A monochrome multifunction laser printer for my physical submissions; it gives the best quality text. And a colour inkjet for my drafts and to print off those things that need to be in colour, including photographs.

My desk holds the computer, which actually sits on the desk as there's no room on the floor, where my feet rest on a plastic footrest. A pair of headphones sits on top of the computer box, for those times I want to exclude all external noise, playing the music I have recorded onto the system. My flat screen monitor is directly ahead, on one of those rotating stands that allows it to be moved out of the way. The speakers sit either side and the mouse, along with a graphics pad rest to my right. The box of gubbins that projects the internet signal to my wife and daughter's computers also lurks there, under the monitor. A document stand rises with various bits of essential paperwork to the left and a coaster holds a glass of water (I never drink alcohol in here, though wine is stored in a rack just behind the door.)

I have pens, pads and post-it notes at hand either behind me on the windowsill or on the desk itself. The drawers to my right hold all the essential stationery and other stuff I might need.

The walls on either side are lined from floor to ceiling with shelves bearing most of my books. My essential reference volumes are within easy reach for all those occasions I need to consult an oracle.

I play music as I write. Not because I listen to it, but because it excludes those external sounds that might otherwise distract me. I have two playlists. One mostly of popular music and giving 2 days of tunes if played constantly. The other contains classical music and would last for a day and a half if played without stopping. I play them alternately and use the random selection option so I never know what track is coming next.

A radiator at my back keeps me warm in winter and the window above it can be opened for fresh air and cooling breezes in summer.

There is little decoration, largely because there's very little spare wall space. But there's room for a few pictures and I intend to fill that soon. I also have a couple of small statuettes; one a porcelain slip cast in white of a female torso that I picked up from a potter in the Yorkshire Dales many years ago. The other is a fairly primitive carving of a kneeling woman, which I found in a shop on the Greek island of Rhodes, a favourite holiday destination. I like it for its simplicity and natural quality.

So, there you have it. The place I use to create my works.

Is it ideal? Of course not. I'd love a large library room, with an antique desk and plenty of space to spread out, and a view overlooking the sea, to which I could walk in minutes. But that's the dream and it'll take a lot more work to make it reality.

But it is my own room. My private space. I can relax in here and do as I wish. My wife and daughter respect my need for solitary times and rarely interrupt me, unless they have some sudden computer issue that needs sorting or some domestic emergency arises that I'm best suited to resolve.

I have my space and I make great use of it. I admire those writers, usually women, who are forced to carry out their craft at the dining table with family as constant distraction. To create under such conditions would be almost impossible for me, and I salute their dedication and ability.

So, where do you write? Share your space with others who visit this site and see if we can't, between us, inspire some creativity.  

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Monday 11 June 2012

The Anome, by Jack Vance, Reviewed.


Described on the back cover of the Coronet edition I read, as Science Fantasy, this novel was first published in 1971, and is the first of a trilogy. I come late to it via my brother who was disposing of it during a small house clearance. I'm glad I chanced upon it.

The setting is another world; the time, the very distant future, when humans have left the Solar System and colonised other planets. This is a world without the computer as we know it, though certain of the tools and devices display functions that we normally associate with computers.

The inhabitants of this strange world, orbiting a binary star system, have degenerated into a great number of disparate tribes, all with their own specific beliefs and prejudices. Violence is almost unheard of, except in the brutal way that life is terminated in the case of transgression. But a breed of what seem to be mutants descend from the wild hills and prey on the women to ensnare and impregnate them to act as brood mares for their offspring. It is this outbreak of uncharacteristic wild violence that spurs the hero into action.

Sects of various types illustrate the way that religion and faith can so easily dominate an otherwise rational population to the detriment of freedom, love and compassion.

I don't wish to give away too much about the story, which is compelling and well constructed. Peopled by believable characters who interact with a strange politeness within the overly controlled society they inhabit, the world is disturbingly odd and yet familiar. Much remains unexplained but footnotes give occasional descriptions of some of the oddly named features and events. The reader is a stranger here but finds empathy with the main character, the hero, introduced as Mur but maturing through ritual to become Etzwane.
There are huge injustices and the sexes are distinctly separate in both temperament and treatment.

I found the story intriguing and grew to empathise with Etzwane in spite of his oddly detached and understated care and compassion for his mother. His determination to act when all around him those in power are determined not to act is endearing. But he is, in common with his fellow inhabitants, strangely unemotional and seeks rational explanations for behaviour which we would accept as springing from emotional sources.

This is a world with little metal but much glass, which is used in its stead for many objects. It is a world of rich and poor, fanatical faithful and determined secular, high fashion and drab utilitarianism. In these respects, much like the Earth from whence these colonists sprang many centuries previously.

The story winds, twists and turns, with much action interspersed with conversation that explains the differences between the various cults without saying how these differences came about. There is a little too much exposition; too much tell and not enough show for a modern reader, but I was prepared to overlook that because the quality of the writing was otherwise very good.

As is common with the fantasy trilogy, this first volume ends after a sort of conclusion of one part of the action, but this is not the satisfactory ending to a book that most readers seek. Clearly the intention is to ensnare the reader into following the rest of the trilogy. And, had I not over 180 titles in my 'to read' list, I might be tempted to do just that. As it is, I have other dishes to sample and whether I ever return to the tale remains to be seen.

For readers of imaginative fantasy I suspect this will prove very satisfactory. It certainly deserves notice for its depth and breadth of imagination; the world being well conceived and constructed. For those who prefer their fantasy fiction in a more predictable form, there are too many oddities and disturbing aspects without the usual crop of thieves, dragons, dwarves or other magical creatures. This is a book with an entirely individual agenda and, as such, I commend it to you.

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Friday 8 June 2012

Sensuous Touches, Now Available on Amazon


This collection of 8 short stories (ranging from 9,000 to 1,000 words, so plenty of variety in length) features alpha males and stunning females in exciting pairings. These tales will excite both genders. There are thrills spiced with lust and desire, fantasy love affairs, an adult fairy tale and an example of bondage for those who like their fantasy sex a little out there.

Written for enjoyment, these stories will stimulate, entice, tease, entertain, arouse, amuse, and ultimately satisfy. Read alone or with the special someone you want to share yourself with. But, most of all, enjoy. Life is too short to miss the pleasures available.

The new anthology of erotic stories is now available to be viewed and bought on Amazon UK here priced at £2.01 and on Amazon USA here at a cost of $3.09 (I imagine it's at $2.99 for USA buyers, but Amazon knows I'm in the UK, so adds a bit to the price).
For those purchasing from Europe, the cost is €2.60 via your own versions of Amazon.
If you'd like a free copy so you can review it, have a look at the post below and follow the simple instructions.
The book is also available via Smashwords, using this link

A Wordle composite formed from the words most commonly used in the book.

Thursday 7 June 2012

Procrastination Is The Thief of Time


This small nugget of wisdom flowed from the pen, or quill, of Edward Young, an English poet and dramatist. It comes from his work, Night Thoughts, written 1742-5.

In spite of the age of the quote, it is as apposite and relevant today as it ever was, possibly more so. Today, we are beset by so many more distractions stemming from the things with which we surround ourselves.

I don’t know about you, but I love the act of writing, the process of those words flowing from the ether via my brain and fingers to the keyboard. I love it. So, why do I put off the moment when I should start? Why do I find so many other things to do rather than engage in a pastime that I love?

It’s irrational, isn’t it? And I pride myself on being rational. But, perhaps this is the issue. Writing isn’t generally a rational process, especially if writing fiction, which is my favourite genre. Writing fiction requires an engagement with a level of fantasy, mixed with elements of reality, of course. But that necessity to dwell in the world of fantasy removes the writer from the rational world. And, perhaps, it is the need for this move into the creative sphere that allows the writer to lose sight of the need for discipline.

Creativity is a delicate affair. It’s necessarily subject to influences beyond the reasoning mind. An engineer, that most grounded of imaginers, can create a working machine that depends on the laws of physics and the use of pragmatism, but the leap of faith that raises a standard machine to the level of brilliant invention depends almost entirely on intuition. For those of us who are artists, in all fields, imagination is the prime driver of our creations. So, it’s hardly surprising that we can be deflected from the work of exercising that difficult to define aspect of ourselves by qualities that are more easily identified. What I’m saying here is that when we create, we take risks, and human beings are generally resistant to risk. We risk being made to look foolish in the eyes of our peers, and, more importantly, being made ridiculous in our own eyes.

So, we engage in activities we can rely on, activities that require little risk. I find myself drawn to answering emails, engaging in social chat on Facebook, promoting various stories via Digg, StumbleUpon and LinkedIn. I will respond to those connections made via Pinterest (there’s an addictive social grouping if ever there was one). And whilst I’m able to convince myself that this activity has some value in that it spreads my name wider and increases my online visibility, I know deep down that I am merely putting off the moment when I must put my fingers to the keyboard and produce some new combinations of frequently used words. I have no real grounds for fear in this regard: I am frequently able to sit down and produce a story with absolutely no planning. So, I have no experience of being blocked to prevent my getting on with it. Similarly, I seem to be able to draw ideas from the ether so that I am rarely short of things to write about. So, what stops me from actually getting on with it?

I think part of it comes from a perceived need to start with a clear desk: I hate clutter, both material and intellectual. So, I’ll find excuses to clear actual objects - writing magazines awaiting responses to articles, details of writing contests to transfer to my Writing Contests page on this blog, unanswered emails that require a considered response, messages on social sites like LinkedIn and Facebook. I pretend I have a need to clear these items before I’ll be ‘ready’ to do some writing. This is so, even though experience tells me I can get out of bed, sit down at the keyboard and write straight away, regardless of ‘stuff’ piled on my desk or in my Inbox.

So, is it laziness? Is my subconscious just playing games with me and pretending it doesn’t want to do the work, kidding me that the other stuff is more important?

No, I think it’s almost entirely a combination of discipline, or the lack of it, and organisation, or the lack of that as well. Because of this, I’ve developed a Time Chart in which I’m recording the time I spend on each task during the day. I hope this will show me just how much of my time is spent doing things I really don’t need to do. I have always held that the most precious resource we have is time. If I discover I’m wasting that one thing we can never recover or replace, I expect it to have a salutary effect on my behaviour. I’ll let you know the outcome of my little experiment.

In the meantime, I invite you to think about how you procrastinate and what things get in the way of actually creating. Please share your experiences and thoughts in the comments space below. You know you want to; after all, it’s a way of putting off that moment when you’ll have to face keyboard or pen and paper and actually construct sentences with words, building paragraphs and finally chapters and, maybe, even a novel!

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Wednesday 6 June 2012

Erotic Anthology Published


After many delays and obstructions, I've finally managed to get my collection of erotic short stories published. I'm offering all readers here the chance to obtain a FREE copy (normal price is $2.99). But you'll have to be quick off the mark; the offer ends 10 June. And, I'd appreciate a review, please.

How do you get one?

Follow the blog, or follow me on Twitter, or 'Like' my Facebook page. Links are here on the blog. Then use the 'Contact me here' link just above to let me know your email address and I'll send you the code and link you need to obtain a free copy via Smashwords. The ebook can be downloaded in a format suitable for any ereader. If you don't have an ereader, you can either read it in PDF form (there's a link to a free PDF download at right), or on Kindle for PC (or Mac), both of which are free on the Amazon site for your country of residence.  USA hereUK here.

So, what does the book contain?

8 stories:

Hunky heroes and hot women inhabit the beds, cars, beaches and other scenes in this anthology of erotic stories. You'll find exotic locations and beautiful people coming together to excite, arouse and satisfy you as you join them in their journeys from meeting to merging. The attraction is heterosexual and the outcomes mutually orgasmic, so, whether you're a male or female reader, you'll find something to satisfy your dreams here. Lurking amongst the steamy stories, you'll discover a BDSM piece and an adult fairy story that should work well as a bedtime story.
Come in, enjoy alone or with the partner or partners of your choice. All welcome. 




Wordle: Sensuous Touches, an erotic anthology

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Friday 1 June 2012

Across the River & Into the Trees, Ernest Hemingway, Reviewed.


Having read Hemingway when I was a young man, and enjoyed what I read, I found Across the River and Into the Trees disappointing. Much of the language, of course, is American and leaves a British reader uncertain of meaning, as context frequently doesn’t illuminate. I felt the book was a little flat, to the extent that I didn’t bother to read the whole work. None of the characters grabbed my attention and the story seemed to be meandering and going nowhere. With such a long ‘to read’ list, I felt it was not a good use of my limited reading time. Certainly, had this not had Hemingway’s name attached, I would have stopped reading after chapter two.

I know his fans will think me mad, deficient or perverse, but I can give only my own judgment on the work and I was disappointed. I’ve read, and enjoyed, The Old Man and the Sea, For Whom the Bell Tolls and other works by this Nobel laureate. But this one failed to catch my attention, failed to draw me in sufficiently to persuade me to continue to invest my time in it. It may be that further reading would have redeemed the dull and uninteresting start but I wasn’t prepared to spend more time in finding out.

So, in spite of the usual quality of writing, expected of this past master, I can’t honestly recommend this book.

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