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Monday 31 December 2012

Facts and Figures for my 2012

English: A pie chart created in Excel 2007 sho...
English: A pie chart created in Excel 2007 showing the content of tweets on Twitter, based on the data gathered by Pear Analytics in 2009. (Photo credit: Wikipedia)

First, I’d like to pass on a heartfelt THANK YOU to all those readers who have reviewed my writing. Almost without exception these reviews, the majority from people I don’t know, have been positive. That, of course, is very encouraging. It strikes me that the best action I can take to truly thank those who have taken the trouble to share their thoughts on my work, especially those who’ve enjoyed it, is to write more. And that’s what I intend for the coming year. So, my thanks, again, for all those who’ve read and reviewed my work, and my assurance that there’ll be more to come and that it will be the best I can produce.

Second, a brief, but fairly detailed, account of my year. Why? Well, in April 2013 I retire from my part-time day job and will be able to concentrate full time on writing. This means an entirely different attitude to what I do and how I do it. At the behest of the so-called experts in the matter of selling books, I’ve spent a major portion of 2012 building an ‘author platform’ online. This is something, we’re told, that’s essential for the serious writer. I have to tell you that my experience places a large question mark over that assertion.
At the foot of this post, not very far from here, I’ll insert my facts and figures as they stand at the point of writing this: i.e. 20:30 BST, New Year’s Eve.

The simple fact is, in spite of my efforts to build this apparently essential tool to marketing, my sales of books have been anything but startling. There’s huge competition out there, with thousands of new books published every month. Many of these are very poor. But a reasonable number are good and there are a few that are undeniably outstanding. However, quality appears to be only a small factor in producing sales. I’ve read extracts from best-selling books and found myself appalled by poor grammar, syntax and characterisation. Often, however, these best-sellers have, at core, a good story. What is depressing is that, with a little more care and professionalism, many of these sub-standard books could be really great works; but the book-buying public appear willing to settle for ‘that’ll do’ from these good story-tellers.

So, it looks as though, in order to increase my readership, I need to combine good story-telling (for my readers), with good quality writing (for my personal satisfaction). Oh, hang on, that’s what I thought I was doing! Perhaps, then, I simply need to actually write and publish more. And that’s what I intend for the coming year.

The following list of figures will be a source of motivation for the coming year and of comparison at the same time next year, to see whether I’ve managed to get more work out there. It should also enable me to judge whether such an increase in ‘exposure’ actually bears more fruit than the marketing activity I’ve performed this year.

2012
Published work:
Sensuous Touches, an anthology of erotic tales (8).
Heir to Death’s Folly, a short story in the gothic horror tradition.
Rebirth, my contribution to the science fiction anthology published by Fantastic Books Publishing, Fusion.

Writing Contests:
4 entries, one of which was short-listed.

Blog:
1062 posts in total since the blog began.
447 followers
85,511 page views
18,882 visitors who identified their location.

Facebook:
Author page – 379 ‘Likes’
Personal profile – 1599 friends

882 books listed as read (the real number is probably around 3,500 but I haven’t listed them all yet), 52 of them in 2012.
130 reviews written (52 in 2012)
2018 friends.
136 titles in my ‘to read’ list.
49 ratings and 21 reviews of my books on Goodreads.
Goodreads reading challenge - 52 books in the year - Read - 52 books in the year!

2274 connections

662 followers
4774 pins on 32 boards

336 in my circles
In 183 circles.

5,110 followers
Following 5,012
11,823 tweets

So, there it is. If you'd like to connect with me on any of these sites, the links are there for you. Lets' see what 2013 brings, eh?
And, for now, let me wish you all a New Year that brings you all the good things you wish for you and yours.

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A Chain of Voices, by André Brink, Reviewed.


What a tremendous work this is. Ostensibly a story explaining the actions of a group of slaves in South Africa in the early 19th century, this tale of oppression, blindness, hypocrisy, injustice, love and prejudice is a startling and moving key to the lives of all those involved in the drama.

Each character has his or her own voice, expressing emotion and action in terms that bring that person to life on the page. The book is divided into 4 parts without chapters but with each section presented through the words of one of the many individuals who make up the cast. Everyone from the lowliest slave to the most self-congratulatory owner is allowed their say. There is no bias here. The actions of each character are described through the eyes of many as well as through the words of the individual involved in those actions. This technique, whilst making for a lengthy work, ensures that a fully rounded picture of the reality is received by the reader.

I’ve never read a work of fiction in which the people are so real, so varied, so open to examination. We’re exposed to honourable men, devious people, complicated women, thieves, scoundrels, heroes, wicked hypocrites, murderers, bullies, mothers, wantons; in fact, the entire panoply of human life. We experience evil, intense goodness, anger, love, hate, lust, usage, deep and unacknowledged hypocrisy, prejudice, ignorance, sacrifice, and every other emotion that can be imagined.

The 516 pages of the edition I read are packed with incident, emotion, information; all presented in styles to suit the specific narrators, without ever making the reader feel that even the lowliest, uneducated speaker does other than express the truth as he or she is convinced is the reality. Nothing so simple as the ‘unreliable narrator’ here. Everyone has a secret, some flaws, a view that’s not always in line with actual events. But this concentration on reality has the effect of making all but the most despicable of the characters more accessible, easier to empathise with, rather than alienating the reader.

Much is made of the position of the Bible and Christian values as promoted by the Boer farmers to their pagan slaves. Regular readers will know that I’m a passionate agnostic (if that doesn’t seem too close to an oxymoron for you) and I’m aware that this must colour my reading of this aspect of the story. But it’s difficult to see how the author could have had anything in mind other than the debunking of the utter hypocrisy of these supposedly devout people. He has them spouting texts that encourage fellow-feeling whilst they beat their unfortunate slaves almost to death. The masters take the women as and when they wish and then express disgust and surprise at the relationships developing between slaves.

Scars of a whipped slave (April 2, 1863, Baton...
Scars of a whipped slave (April 2, 1863, Baton Rouge, Louisiana, USA. Original caption: "Overseer Artayou Carrier whipped me. I was two months in bed sore from the whipping. My master come after I was whipped; he discharged the overseer. The very words of poor Peter, taken as he sat for his picture." (Photo credit: Wikipedia)
The position of women in this society is wound through the story as a comment on inequality, paralleling that of the slaves. But the situation of the masters, farmers, traders, is described in terms that make it easier to understand how and why they should be capable of blindness and inhumanity in a savage land badly governed by distant authority. There are echoes here of the early days of the USA, when pioneers used the Bible, very selectively of course, to justify their cruelty and self-imposed superiority over their women and slaves. That such attitudes persist in such quantity today simply illustrates the self-perpetuating nature of the type of brain-washing that closed communities impose on their offspring. The South African situation of this book is such an accurate reflection of that persisting in the USA that the astute reader is forced to conclude that it was deliberate on the part of the author.

I’d like to see this piece of powerful, truthful and instructive fiction made widely available in all lands where prejudice, ignorance and religious extremism hold sway over the population. Any reading of this story must demand a re-examination of the views held by bigots, evangelical missionaries and those who continue to believe that colour is a rightful basis for prejudice.

I could go on at length but I’d much rather you read the book and came to your own conclusions. I found myself absorbed and involved in the story throughout, never feeling apart from events but always an integral part of what the author conveys with some of the finest writing I’ve come across. I think it’s redundant to say I recommend this. But, sometimes, a statement of the bleeding obvious is a necessary emphasis.

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A Present for the New Year.

Last year, at around this time, I published a short story as an ebook via Smashwords. I wanted to put it on Amazon Kindle as well, but they make it nigh on impossible to do so as a free book. It was, and remains, a free book for those who enjoy my writing.
It struck me that there are still many people around who don't have ereaders, so I'm posting the story here for those who'd like to read it. It's a bit of silliness wrapped in the celebrations that end one year and begin the next, a light-hearted romance with mildly erotic undertones, written tongue-in-cheek in the hope of entertaining.
Enjoy. (Oh, and if you feel so inclined, I'd love a review, placed anywhere you feel appropriate. Thanks)
And let me take this opportunity to wish all who visit these pages the very best of life for the coming twelve months that we have labelled 2013. Have a great New Year.


But, Baby, It's Cold Outside

For all that it's black as the proverbial out there, I'm required to venture forth if I'm to retain credibility in the current lover's eyes. First, there's the unexplained and ill-defined noise, which I ignore. Then, coincidentally, the light goes out, provoking a performance worthy of the heroine in those supposedly scary black and white B movies from the forties.
The failure of the light turns out to be nothing sinister.
'Just a blown bulb.'
'Replace it, then.'
'Call me an old romantic, but wouldn't firelight serve us better?'
The response is unprintable and indicates an unhealthy reliance on artificial light. So, once I've restored adequate illumination, I'm ordered outside to see what made the noise.
'Me?'
'It's your house.'
'As the woman, shouldn't I stay in the warmth and safety of my home whilst you, Macho Man, go fight the marauders?'
'Along with the rest of your gender, you claim equality. You have to deal with the downside as well as the up.'
'So far, I've experienced little up, except the obvious, and I'm pretty sure that's been as much benefit to you as it has to me.'
He raises his eyebrows but not my hopes and I know I'm onto a loser; it doesn't help that my statement wasn't the truth, either. I wonder, in passing, why him? And then recall his superb taste in clothes and cars, his delicious and sensual touch, and the generous cut of his wallet, which has so far afforded me access to three first nights, a private viewing and the best table at Egon's. I can stand a little misplaced equal opportunity for the luxury and privilege that are his accessories. Wimpishness isn't the cause of his reluctance; he sincerely believes equality of the sexes means I should do whatever he'd be prepared to do on my behalf. Daft, I know; but he is a man, after all.
Being rural, I ignore strange noises in the night, examining their cause in full light of day, if at all. He's a townie who puts up with the shouts of drunks, the screams of distressed women, the whistling of fools and the constant clatter of traffic past his trendy pied à terre but is made suspicious by the noise of something falling over outside.
'It's just that old gate I stacked against the side of the house. The wind's blown it over.'
'Didn't sound like a gate falling over to me.'
'It's pitch bloody black out there. How am I supposed to see anything?'
'Use a torch.'
'Batteries are flat.'
'Well, we'll open the curtains and turn on all the lights, assuming they work.'
'They do. Mostly.'
Raised eyebrows indicate his lack of faith but he accepts. 'Good.'
'And your monster of the night is just going to hang about out there, awaiting discovery, having received the signal of our intent?'
'Our?'
'We're conspiring jointly in the process, even if I'm the active member and you're merely the source of ideas.'
'Mmm.'
I rise, turn on the spot. 'Look at me.'
'Yes, very lovely.'
'You really expect me to venture forth into the wild night with…?'
'Put something on and stop making excuses.'
I don seductive red satin recently abandoned, rather than the woollen protection I know is appropriate. It'll be cold out there. New Year always is. But I won't be gone long and I intend to continue where we left off after the interruption of the unidentified noise. I suggest he turns on the downstairs lights, front and back, whilst I plunge into the frozen void.
'You're not going out there like that on your own, are you?'
'Are you coming with me?'
'Are you mad?'
I try a simple facial message but it doesn't get through. Insufficient intimate togetherness yet for such subtlety to connect, I suppose. 'Exactly how am I supposed to go outside without you, yet not be alone?'
A pause for consideration. 'Be quick, then. I'll worry about you.'
'Not enough to accept my plausible explanation.'
He avoids the shrug that his body and my expectations demand and makes do with a non-committal grunt.
'Not enough to be the gentleman?'
'Equality of opportunity. This is yours.'
'But I don't crave such opportunity. In any case, I'm not worried by the noise.'
Another grunt; distinctly negative and indicative that this is the end of the discussion, as far as he's concerned. That much of his subtlety I have learned.
Outside, it seems even darker than the proverbial and I wait for light to issue through the curtains he's supposed to be opening. I wait. And slowly freeze. The darkness remains; unilluminated, unmoving and unmoved by my presence. I understand I am irrelevant to the void and begin to wonder if I represent a similar rank of importance to him.
At last, a faint glow signals the start of his simple task, but at the front of the house. I left by the back door and he saw me. Is this contrary action merely pique at my rational response to his irrational fear? Or is it simple idiocy? Hardly the latter. I don't get involved physically or emotionally with imbeciles. Not deliberately, anyway. But I wonder why I've become so attached to a man who's beginning to seem remarkably like a prat. Except, he has his good points. The fact that he's unjustly wonderful at that most subtle of interpersonal activities adds to the attraction of his wealth, devastating good looks and multiple connections. I ponder, for a fraction of a second, whether I might be a tad guilty of superficiality here but I expunge that unworthy thought and recall the extraordinary evenings, nights, afternoons and mornings I've experienced since we met.
The light at the back escapes at last through the raised kitchen blind and the drawn dining room curtains. I examine the area of garden I can see and note that the soft cold stuff assaulting me is snow, augmenting the frost already formed. Nothing moves but flakes of lightness and the tips of visible vegetation, shaking in the gale. It occurs I've denied any idea of what I'm supposed to be seeking and a question might afford me re-entry before I freeze further. I open the back door and call into warmth I'm tempted to re-enter.
'What sort of noise?'
He is by the fire; I can tell by the distance his voice has to travel. 'I told you.'
I have no recollection of either being told or, if I have been told, of the message. 'No, sorry, that doesn't help.'
'Oh! You're useless. There's something out there. Just see what it is.'
'Well, there's a large area of garden, mostly immobile and recumbent under a falling blanket of snow, except where it's sufficiently fragile to be disturbed by the howling gale, of course. There's a fence, beyond which lie several thousand acres of fields, forests and hills, dissected by a river, currently out of my field of vision ...'
As I list the inventory, he emerges into the kitchen.
'Idiot! I mean something moving, something that shouldn't be there!'
'Ah. An alien? Ghost? Creature of the night, specified or un? Perhaps a monster from nightmare? A serial killer out for a midnight stroll? A lynch mob intent on suspending a victim, if not its credibility?'
'God, you're obtuse. And I'm freezing here with that door open in my robe...'
'I suggest you shut the door in your robe and give me a…'
'Look, it was a sharp slithering sort of soft thudding scraping noise.' And he shuts the door. Not the one in his towelling robe, but the more substantial wooden portal to the house, before I can ask from what direction this comprehensive oxymoron of a sound emerged.
Disconsolate at being left out in the cold, wearing a garment designed to lure the eyes of men to my assets rather than protect them from frost, and unsocked wellies that barely insulate my feet from frozen ground, I begin a rapid exploration. Alcohol has lost supremacy by now and the threat of frostbite dictates I make a simple circuit to rule out any obvious cause before I return, bold cold and brave, to conquer his residual concerns with passion, before the night freezes my ardour: I can rest assured that his will not diminish in the waiting.
The corner of the house allows the gale to swirl increasing flakes into a small tornado that lifts my scandalous hem and spatters snow against the skin beneath to melt and slowly slide in wetness down my legs. But there's nothing in the intervening darkness, between the dim light at the back and the dimmer light at the front, to suggest a monster might be lurking at that side of the house. I pass, unmolested, beside the solid brick barrier to the front garden; neat, hedged and deserted.
Beyond the hawthorn and beech runs the narrow lane that leads eventually to the hamlet where my nearest neighbours celebrate the new arrival. And I recall we haven't made the usual ritual this time: I have no coal or logs, no money, salt or bread to enter with and bring the luck we all desire. Though, on being questioned, I'll deny any interest in or subjection to such craven superstition as 'first-footing'. In any case, he's supposed to perform that particular ritual, as the man.
The front garden is also devoid of alien beasts, hobgoblins and mass murderers. I lightly skip along the beds of resting flowers, past the blank front door and across the white blanket that is now the drive. His red Ferrari, encrusted with a soft layer of white icing, like a little boy's birthday cake, is exhibited at his insistence for the hungry eyes of the envious before the garage door, behind which skulks my wheeled utilitarian box. Fooled by softness, I forget the constant puddle and slip on the ice it has now become. The robe helpfully lifts so that my naked buttocks slide along the frozen surface until the stone kerb brings me to a halt with only a spine-jarring jolt and superficial injury to my fast freezing passionate parts. I curse the night, rub the offended rump and other bits and struggle upright, glad no one saw my pratfall and exposure.
The last side of the house, also in darkness, reveals no sign of monsters but there is evidence of some disturbance in the drifting snow. Tracks of recent footfalls meander, and the broken gate, which had been leaning against the house, has fallen onto the path. I right it. But will he believe I was correct in my original supposition when I give him this solution to his mystery?
I turn the corner and tumble headlong over a dark huddled shadow that mumbles. I land against the dustbin, upside-down with my head buried in a small drift, and moon into the moonless night. An unknown hand molests my unprotected flesh and then hoists me back to my feet and suddenly I'm at the back door.
He is there, in gratitude no longer worried by the door in his robe, which he's removed to reward my bravery with his undiminished and evident passion. The robe, that is, not the door. Behind me looms the huddled shadow that caused me to befriend the dustbin.
He cries out in alarm. I turn, ready to attack and defend.
''Appy New Year, m' dear. Shorry 'bout the clision back there. Dropped me lump o' coal an' I was tryin' to fine it. Firsht footin' an' all that.'
It is the redoubtable Miss Fobiter; she of the three facial hirsute warts and fixed leering grin. I grin back, hopefully without the leer, and wrap my robe more tightly.
By the time I've turned, he's vanished into concealing darkness within and I'm left stumbling my thanks to my nearest neighbour and inviting her in for customary seasonal cheer. The picture of departing gratitude, flouncing as though no longer quite so pleased with my solution to his fears, suggests I'll see New Year's Day arrive without his close company.
'Thought you'd be on your own, like me, don't y'know?'
I wonder whose car she thinks she passed on my drive and then recall her reputation as a woman resistant to normal consumer pressures. She probably didn't even notice it, or worse, thinks it's mine.
My neighbour, whose first name she reserves as a mystery, insists on two full choruses of Auld Langsyne, which I'm powerless to resist. To my surprise, he returns to join in this ritual, his robe replaced. She greets him with a cursory assessment that suggests she finds him, because he's a man, wanting. But she accepts the second glass of cheer he politely offers. Two hours of pointless chatter pass as the fire slowly settles in the grate and he grows glassy eyed. At last, she decides it's time she visited other neighbours. I hold him close about the waist as she departs into the snow and we close the door on night.
With her departure, my role in his earlier exposure is recalled and expressed in word and deed, the repelling hand shoving me unceremoniously back into my armchair.
'If you think you're having your wicked way with me after letting that dirty old hag see me naked, you've another think coming.'
'I don't think she was interested in you; naked or otherwise.'
'You should've warned me. I don't like strange women seeing me undressed.'
I'm being unfair and mighty inaccurate when I suspect, aloud, he's anxious at being found wanting. He sulks at the unguarded, unfounded suggestion the alcohol encourages me to make, and I watch him climb the stairs.
He lingers at the turn on the landing taking all promise of passion with him. 'A real woman wouldn't take no for an answer.'
Unsure whether this is an invitation or simply another assault, a reminder of my imperfections, I return to the fire, unwilling to be seen as coercive and determined to play the part of the injured party to the bitter end. I place more logs onto the embers, refill my glass with the last of the Chivas Regal I bought him for Christmas, and stare into the flames, imaging what might've been and recalling New Years that started more auspiciously.
Lurking at the back of my mind is the suspicion that he'll forgive me, once he finds the bed a little wide and cold without my company. Just to encourage that idea and persuade him of my value, I sneak outside and bang the metal dustbin lid with the coal shovel. I'm back in front of the fire, waiting on the hearthrug, by the time he reaches the security and warmth of me and the blazing logs.
I invite him to open the door in my robe. He does so willingly but, as I surrender to his delicious demands, I hear the gate fall over again and await his protest. Oddly, he seems preoccupied and doesn't even mention the noise, this time. Aahhh.

###


I hope this little piece of seasonal fun has amused you. Please consider it a gift in appreciation of your time and support.

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Sunday 30 December 2012

The Turn of the Screw, by Henry James, Reviewed


Not the cover of the edition I read, but the same publisher.
A classic, of course, and, for the story, deservedly so. But this is one of those books, from the literary past, which might actually benefit from an update, a rewrite in the modern style. In many works of literature, the language, style of writing, method of expression all contribute to the overall effect of the story. This is not one of those works. This is a ghost story, an attempt to frighten and disturb the reader. But its effect is diminished by convoluted language, by unnecessarily complex sentence structure and by authorial intrusion. The pace is slowed and barriers are placed in the way of progress through the story without adding anything of value to the tale itself. Written for a different age, when time was of little consequence to those who had the means to read, it is a short novel that could easily have been told in half the words employed. In fact, such shortening would undoubtedly have improved the book.

The emotional impact of the story, once filtered from the excess, is potentially profound. Who could fail to be moved by the malign influence of the jealous spirits of the wicked dead on the innocence of children? Of course, the nature of the wickedness of those dead who provide the ghosts isn’t detailed, merely hinted at in that infuriating fashion employed by Victorian authors writing about sexual matters. We guess, but are never made certain, that the individuals whose spirits cause such consternation, are those of improper lovers. But the modern reader doesn’t harbour such restricted views of relationships, class barriers no longer exist, and the outrage felt by the governess and the housekeeper is therefore made ludicrous. If the language allowed the reader to accept the strictures of the day, it would have been easier to understand and even empathise with the emotions of the narrator and her friend. But I found the very language prevented my sympathies aligning with the social mores so that I frequently questioned exactly what was the evil these two dead people actually presented.

On the back of the edition I read, the blurb describes this book as ‘Widely recognised as one of literature’s most gripping ghost stories…’ I did not find it so. I found it tedious for much of the narrative, self-congratulatory throughout, and more concerned with a demonstration of the author’s cleverness than with any attempt to engage the reader with the emotions of the protagonists. Much repetition and a deal of extraneous information detract from the story itself. And the story is an excellent conceit. I think it could have been written so much better by employing much more discipline and far fewer words.

But, then, what do I know? The book has gained the status of a classic. I read the story, by the way, in the unabridged version of 1898, as published in 1991 by Dover Publications Inc. Would it encourage me to read more of James? I think not; I don’t have that much time to spare.

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Thursday 27 December 2012

Cliché Software Review.


In collecting information for my Writing Contests page, I came upon a site called ‘Writers’ Village’, which looked interesting. Needless to say (cliché), it runs a writing competition. However, my reason for this post is that the website owner, John Yeoman, also provides a number of free articles dealing with improving your short story efforts. I signed up for the free stuff and, as a result, received a link from John. This took me to
http://www.cliches.biz/clichecleaner/, where I was able to download a trial version of software designed to spot clichés in written work.

Often, writers are unaware of even using clichés, let alone repeating the error by using them more than once. Similarly, repeated phrases are commonly overlooked by the most careful of editors, but will stick out like a sore thumb (cliché) to the alert reader.

A couple of days ago, on Xmas day, I posted a short story for readers and decided to use this as a test of the software. The results are shown in the screen shot below. I was pleasantly surprised by the few instances that appeared in the story. But I’m conscious that, especially in longer works, I’m prone to the occasional cliché, and I bet you use them as well. I like the clear style of the software and its ease of use. It’s a good old no-nonsense tool and a worthy addition to any writer’s toolbox. At present, you copy and paste the piece of work into the program, which has the look of a basic text editor. However, the designer is currently working on an update, which will allow users to open files direct from Word. This upgrade will be offered free to purchases of the current software. To be honest, I had no problem with the copy and paste (repeated phrase) process, but a direct route to a file would obviously be preferable. There are four options to control the way the software selects and displays the clichés and repeated phrases it finds, but the default position was all I needed.

If you click on the graphic, it should bring it up in a new window at a larger size.

As this was a trial version, I decided to look into costs for the full version. It’s so cheap it’s hardly worth considering, when you recognise how useful it will be for you. The cost of the full program is $12.95, which translates currently to £8.29 or €9.79.

I’ve downloaded the full version and will use it in editing my work from now on. In fact, I used it on this post. Any tool that can help improve the quality of writing must be considered seriously by every writer hoping to gain and retain a worthwhile readership, after all.

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Wednesday 26 December 2012

Procrastination Revisited.

English: A Diagram of procrastination cycle. T...
English: A Diagram of procrastination cycle. Task features, internal factors, irrational beliefs, behavior and consequences are shown. used for a university assessment. (Photo credit: Wikipedia)

It’s possibly the most dangerous of all threats to anyone who works alone in a self-motivated, self-controlled situation; the danger of procrastination. Regular readers will know I’ve visited this topic before: here are the links to those posts; 8 March 2012 (The Dangers of Distraction) , 7 June 2012 ( Procrastination is the Thief of Time) , 25 Nov 2012 (Do You Work Best in Chaos or Control?)  So, why the 4th visit in a single year? Well, if you take the time to visit the side panel to the right and scroll a good way down (you’ll need to dive below the ‘Popular Posts’ piece), you’ll discover a table I was sent by www.onlineclasses.org in response to my previous posts. The table, headed  ‘Procrastination Nation’, features some interesting and salutary stats on the way we waste out time. If you click on the table, a new window will open in which you can read the short piece from Online Classes and view the table at full size. I think it’s a worthwhile way to spend a few minutes, and I recommend it, especially if you’re prone to distractions. And, no, the irony is not lost on me!
Read, absorb, enjoy and take note.

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Monday 24 December 2012

A Christmas Gift.

It's a bit cheesy, since it was written for a rather old-fashioned women's magazine, but, what the hell? It's Christmas: enjoy a cosy tale from me, with my best wishes for the season.


A Display of Love

‘But, what’s it all for, Dave?’
‘What’s it all for? What’s it all for? Isn’t it obvious, love? I’m not having that moron next door outdoing me again.’
‘Does it matter?’
‘Of course it matters, Shirl. Look, he got a first for his marrows, a second for his carrots and then, to cap it all, they give him a commendation for that lousy holiday snap he called a landscape. I tell you, Shirl, that so-and-so knows someone. Else he knows where the skeletons are hidden.’
‘That was all last summer. What’s it got to do with Christmas?’
‘Well, we all know what Christmas means to him, don’t we?’
‘You’re obsessed, do you know that? I just want this Christmas to be normal, Dave. Like everyone else’s. I’m fed up of the time, trouble and cost we put into decorating the outside. Stuff I only get to see when I’m coming home or leaving. Why can’t we do the inside this year?’
‘No one sees the inside, Shirl. What’s the point of that?’
‘I see it. You see it. The kids and grandkids see it. No, Dave; I’ve had enough of this stupid competition. I want my Christmas back.’
Her stance said she was serious and, even if he’d had his back to her, the tone of her voice made her feelings clear. And when Shirl meant it, you’d better do as she expected. He looked at the collection of lights, blow-up figures, plastic lawn decorations and flashing signs he’d gathered over the years and felt a small pang of disappointment. But Shirl had a point. He’d spent good money, too much time and far too much effort on the whole project. Why, he wondered, hadn’t she said before it got almost out of hand? What was it all for, she’d wanted to know. And he knew the answer. It was pathetic, really. To outdo his show-off neighbour. Hell, he didn’t even like the man. Why was he so intent on competing with him?
He looked out of the window and saw Bob fixing the first lights to the cherry tree in his front garden. He felt an urge to go out there and start on his own display, a slight urge to make this year’s display a sight the whole village would come round to view. But, really, he knew the motivation was just to do something better than Bob and be recognised for that for once. Bob always got the prizes, never Dave. Prizes. Prizes?
‘You know, Shirl, who cares about the odd silver cup, a certificate signed by the Vicar? I mean, what’s it mean, after all?’
Shirley, unexpectedly, embraced him. ‘Thanks, Dave. I appreciate it. I know it’s hard for you to give it up after all this time. But I’m proud of you. I don’t need awards and certificates to tell me how good you are at all sorts of things. And they never give prizes for the things that really matter anyway.’
He saw that look in her eye, knew what she meant and abandoned the pile of decorations for a while. He’d decide what to do with them later. Probably return them to the loft, for now, anyway.
He still had a spring in his step when he returned home from work the next day. He parked up outside as usual and noticed Bob back at it next door.
‘Not botherin’ this year, old man?’
Dave forced a smile at the condescending tone and just nodded noncommittally as he strode down the path. The Christmas tree was in the window; a few effective lights decorated the Magnolia in the centre of his lawn, as a greeting for visitors, but that was all. Understated, was what Shirley had called it.
‘Looks lovely. I’ve always felt too much looks just cheap and gaudy. I mean, Bob’s display’s just showing off for the sake of it. The man’s too full of himself.’
It was good to know she preferred him to the moron next door. Shirley’s appreciation was a prize worth having.
‘No, Bob, I decided against, this year. I see you’re up to your usual standard. Mind you don’t blow a fuse.’
‘Oh, no chance of that, old man. Taken all the precautions, I have. No danger of a power cut here. Not like some I could name. All the power on one big fuse. I’ve got a special circuit for this lot, you know.’
He did know. Bob had boasted about it two years ago on the memorable occasion when Dave’s power cut blacked out the house for a day. He’d really rubbed his nose in it, smirking as the electrician came round to sort out the problem.
‘Aye, well, have a happy one. I’m off in for my tea.’ And in he went, before he was tempted to wipe the condescending smile off the moron’s face.
Shirley greeted him with her usual warmth, the aroma of homemade lamb stew welcomed him into his home, and Christmas carols played lightly in the background.
‘Nice, but it’s a bit early for that, isn’t it?’ He nodded at her outfit, the one she normally reserved for their private Christmas party, on Boxing Day.
‘Thought I’d treat you. You’ve been so good over the decorations and I know how much you like me in this. Anyway, thought you might like a surprise this year on Boxing Day.’
He raised a quizzical eyebrow.
‘Oh no. You’ll have to wait and see. Now, come and have your tea, love.’
‘I’m supposed to eat whilst you sit opposite me looking like that?’
‘Think of it as an appetiser.’
It was, so he did.
Two days to go and Bob was still in the garden when Dave arrived home a little the worse for wear, after the works Christmas do, as the taxi dropped him off outside the gate.
‘Now then, Bob, nothing better to do than festoon your house with lights and Santas, eh?’
Bob’s wife, a mousy woman with a sharp tongue who, Dave suddenly realised, he’d never spoken to, was watching tight-lipped from behind the glass in the front room. Though, whether she was watching Bob with approval or dismay was impossible to say from her expression. But Dave realised that he had one thing in his life that Bob didn’t have. He had Shirl. Shirley was worth a thousand, a million cups and medals and certificates.
‘Wait there, mate.’
Shirley was waiting in the hall, her face covered in questions but the greeting kiss ready as always. He indulged her and himself first and then extricated himself with reluctance and difficulty.
‘Come and give us a hand, love. Then I’ll be able to concentrate better.’
He dropped the loft ladder and started handing all the stored decorations down to Shirley. The look on her face was hard to ignore, but he was determined. She took it all downstairs with him, disappointment written large on her pretty face. But she said nothing; knew him too well when he was in this mood.
He gathered the stuff together, with her help, in the hallway.
‘Right, the rest I’ll do on my own. Won’t take long, love.’
‘Tea’s almost ready.’
There were tears in the corners of her eyes, her lovely eyes, and he almost capitulated. But he’d made up his mind and, once started, he was going to finish.
‘Won’t be long.’
Bob was still putting the finishing touches to his display. His wife still watching. Dave transported everything from the hall into the crisp garden until the house was empty of the Christmas show.
‘Wonder if you’d give me a hand with these, Bob?’
Bob looked shocked at this suggestion but seemed unable to resist the opportunity to boast. It took the pair of them another three hours but when they’d finished, both were happy with the result.
‘Best ever, Bob. What do you think?’
‘Brilliant, Dave, brilliant. Got to hand it to you, this time.’
‘One more touch, I think.’ He went round the back to his shed and found what he was looking for. Bob looked at the small wooden box with its slot in the top and the hand-painted sign advertising the display as a charity raising event and asking for donations.
‘Village Hall fund, I thought?’
Bob nodded, dumbfounded. A few neighbours had ventured out into the chill of the night and looked on admiringly as Dave affixed the box to the fence. A few even emptied their pockets of change into it. Dave nodded his thanks.
He said good night to Bob, thanked him for his help and went inside. Shirley was still disappointed.
‘Tea’s ruined.’
‘Come and have a look, Shirl.’
‘I don’t think so, thank you.’
‘Bob says it’s the best ever.’
She looked up, tears still threatening.
‘Come one, love. Just a quick look. Then I’ll not say another word about it. Promise.’
Reluctantly, and because she loved him in spite of his failings, she went with him to the door. He put his hands over her eyes and guided her down the front path to the pavement to give her the best view. Once in place, he removed his hand.
Shirley gasped and then was silent as she took it all in, including the box and its sign.
‘Oh, Dave, you’re brilliant. And Bob’s all right with it, is he?’
‘Think he’s still getting over the shock, to tell you the truth.’
They stood and admired Bob’s house and garden, covered with lights, figures and all the blaze of commercial Christmas, then at their own place, still with just its simple white string of lights twinkling on the Magnolia and the Christmas tree in the window.
‘Wonderful, Dave. The whole village will be talking about this. I think you’re marvellous.’
They wandered back down the path together and inside to the warmth of their house. Shirley closed the curtains on the lights from next door and settled happily for the gentle glow of the Christmas tree.
‘I think you deserve your Boxing Day surprise early, Dave.’ She poured him a small measure of his favourite and dashed upstairs to change.
When she returned to the room, he was ready and waiting and he knew no amount of awards and certificates could ever mean more than the woman he loved.

Saturday 15 December 2012

The Results, the Answer, the Winner!


Briefly, for those who entered last week’s competition to win a paperback copy of Breaking Faith, here’s the result you’ve all been waiting to hear.

The question I posed for the contest was: ‘In Breaking Faith, what’s the opening line of Chapter 11?’
The answer, of course, was: ‘I was not afraid of contact with others; I simply had not experienced it.’

No one who entered had the wrong answer, so it was all down to the draw.

The name drawn out of the hat was Rasuna from Sumatra, and the book is winging its way across the seas even as you read this, inscribed with the special message requested by Rasuna.

Congratulations, Rasuna; enjoy the read. And my thanks to all who entered the contest; commiserations to the unlucky majority. 

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Monday 10 December 2012

The Concept of the Goddess, by Sandra Billington & Miranda Green, Reviewed.


The blurb on the back of this book suggests it’s ‘a scholarly yet highly readable study of the place of the goddess in past and present belief systems and mythologies’. As a convinced agnostic and casual student of history and myth, I thought it would be a useful book to augment my knowledge of these subjects. I was, unfortunately, disappointed.

The book is mainly an annotated list of references to other works with the occasional piece of narrative inserted to reduce the boredom: a trick that doesn’t work, by the way. Scholarly, it no doubt is. But highly readable it most certainly ain’t! It came across to me as a series of pieces by writers desperate to illustrate how well-read they are. It, perhaps, doesn’t help that there are various references and asides in untranslated Latin and some Scandinavian language I’m unable to identify, since I speak none of that collection of tongues.

Perhaps the book is intended as an introductory text for university students studying mythology; I could envisage it having a place in such course material. But, for the general reader, it appears dense, uninformative in those areas of most interest, self-congratulatory, obtuse and often plain boring.

I found myself skipping the frequent, not to say, innumerable, references in a vain attempt to find some meat. I rarely discovered anything more than the leavings of a dog-chavelled bone. In fact, I learned almost nothing, discovered very little that I didn’t already know from former reading around the subject.

I suspect you’ll deduce from the foregoing that I was unimpressed. You will be correct, Watson. I cannot, in all honesty, recommend the book.

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